Download Hemingway’s Second War: Bearing Witness to the Spanish Civil War, by Alex Vernon
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Hemingway’s Second War: Bearing Witness to the Spanish Civil War, by Alex Vernon
Download Hemingway’s Second War: Bearing Witness to the Spanish Civil War, by Alex Vernon
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Review
"[B]rilliantly concise and informative....We are immediately caught up, along with Hemingway, in the labrynth...that characterized the war....[U]nprecedented scholarship....If you have read...Stephen Koch...on this subject, this is a must-read....[For] casual readers and Hemingway scholars alike." Hemingway Review v31n1 (Fall 2011)"[A] book making use of this much archival material is rich and rare. Vernon's eye in choosing and arranging the material is flawless, and his narrative voice is active, straightforward, intelligent, and comprehensible throughout....Vernon's book is an important contribution to literary historical record, and should interest and please scholars of Hemingway, American literature, Modernist literature, and twentieth-century literature, as well as those interested in cinema, gender studies, and historical and political approaches to literature." Modern Fiction Studies (v59n1, Spring 2013)
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About the Author
Alex Vernon is an associate professor of English at Hendrix College in Conway, Arkansas. He is the author of On Tarzan, most succinctly bred, Soldiers Once and Still: Ernest Hemingway, James Salter, and Tim O’Brien (Iowa, 2005), and The Eyes of Orion: Five Tank Commanders in the Persian Gulf War (with Neal Creighton, Greg Downey, Rob Holmes, and Dave Trybula), editor of Arms and the Self: War, the Military, and Autobiographical Writing, and coeditor (with Catherine Calloway) of Approaches to Teaching the Works of Tim O'Brien.
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Product details
Paperback: 264 pages
Publisher: University Of Iowa Press; 1 edition (May 15, 2011)
Language: English
ISBN-10: 158729981X
ISBN-13: 978-1587299810
Product Dimensions:
6 x 0.9 x 9 inches
Shipping Weight: 1 pounds (View shipping rates and policies)
Average Customer Review:
4.3 out of 5 stars
3 customer reviews
Amazon Best Sellers Rank:
#2,050,112 in Books (See Top 100 in Books)
I've only just started reading this amazing book, but it is done in a scholarly way, and brings Hemingway to life for the books readers.
First I saw the film To whom the bells told with Gary Cooper and Ingrid Bergman and I like it , and later I read the book and Iwas fascinating with Hemingways way of telling the story of a volunteer who is helpinga Spain in the times of need and also of describing what happend behind the courtains of fighting. Ican give my hand in fire because rarely the writters in times Hemingway wrotte the book , 1940 or earlier, had the courage to writte about the things that happend behind the courtain.But thats the point of the book Hemingways second war. Whitout wisiting Spain, being witness not only on the front but also to have contacts with varios people the book To whom the bell tolds would neverbe written. Or the book will be written in other maneer Hemingway did.
In the late 1930s, Ernest Hemingway filed dispatches from the Spanish Civil War for the North American Newspaper Association. His experiences covering the war would inform his masterpiece For Whom the Bell Tolls along with other works. He would be one of the driving forces behind the documentary film The Spanish Earth, serving as its narrator and shaping the content.Alex Vernon's Hemingway's Second War examines this critical period in Hemingway's life and investigates the ripples it cast in his writing, his relationships and his politics.The book begins with a biographical overview of Hemingway's coverage of the Spanish Civil War. The opening chapters provide background for subsequent parts discussing The Spanish Earth and For Whom the Bell Tolls. Vernon's intention is to provide a literary biography, not merely a recitation of facts about the war (sadly, not well known to many Americans) or a straightforward criticism of the novel. As Vernon puts it:Literary biography is one part detective work, one part library science, one part journalism, one part literary criticism, one part history, one part pop psychology and one part gossip column.The breadth of Vernon's task is both a fault and a merit of Hemingway's Second War. The examination of almost anything and everything related to Hemingway, The Spanish War and For Whom the Bell Tolls is comprehensive and certainly of interest to Hemingway aficionados.At times, however, the book reads as a series of academic lectures, complete with asides and apologies from Vernon that don't always feel smooth. "It is worth quoting at length this dispatch's transition to first person," he writes at one point. The frequent commentary on the act of writing the book can be intrusive.That is not to say Hemingway's Second War is a dry piece of academia. At times, it sings. A section on life in Madrid stands out in particular. Quotes from Hemingway's fellow journalist Virginia Cowles help draw a detailed picture of the circus and camaraderie among correspondents who live close to war but are not active participants. Vernon's references to Hemingway's contemporaries is one of the stronger points of the book, although without a preexisting understanding of the players, some nuance may be lost on a casual reader.The bulk of the book devoted to For Whom the Bell Tolls also stands out. Vernon digs into every layer of symbolism and finds parallels with reality and draws strong comparisons to Hemingway's life and other works.By organizing the book by subject matter - biography, film, novel - a sense of chronology is lost, but as Vernon pointed out, the book is not merely a history. The organization, which may work well in a class devoted to Hemingway, leaves a scattershot impression on the casual reader who picked up Hemingway's Second War to learn about Hemingway or the Spanish Civil War and finds himself confused about the book's focus. The section on The Spanish Earth could stand on its own as a lengthy article or complete book. As with his discussion of war journalism, Vernon provides valuable insights into the documentary process from funding and initial planning onto lighting through editing and distribution. It's when Vernon really digs into a tight subject that the book becomes alive.
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